Dana BENKARA
Muzeul Etnografic al Transilvaniei
dana_benkara@yahoo.com
This study shows the restoration work made on the painted canvas of the Hungarian artist Aurél Náray (1883-1948), depicting an ecclesiastic subject (Saint Joseph with the infant Jesus). This oil painting comes from a private art collector and has the following dimensions: 42x57.5 cm, being sustained by a wooden stretcher.
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Tekla TÖTSZEGI
Muzeul Etnografic al Transilvaniei
tekla_totszegi@yahoo.com
The Technological-Industrial Museum of Cluj opened its doors in 1888, with the name “Franz Iosif I Museum of Industry”, in memory of the Emperor's visit to Cluj, made in 1887.
Frequent changes of premises, of exhibition spaces and finally the institution closing; transfers of artefacts between different institutions,
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Silvia SUCIU
Silvia’s Art Gallery Cluj-Napoca
silviasuciu@gmail.com
La deuxième partie du 19ème siècle a marqué une époque sans précédent de l’expression esthétique et des moyens de vendre les produits artistiques. La révolution des impressionnistes a changé pour toujours la technique et l’image de la peinture. L’exposition de 1874 des impressionnistes - Auguste Renoir, Claude Monet, Edgar
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Teodora-Maria SAS
Muzeul Etnografic al Transilvaniei
sasteo.met@yahoo.com
This paper aims to analyse the role of cultural marketing activities within the Transylvanian Museum of Ethnography and their contribution to increasing the quality of the cultural life of the Cluj community.
The analysis begins with a review of the general museum offer (basic/permanent, educational, complementary and
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Laura Cristina POP
Muzeul Etnografic al Transilvaniei
lapopei@gmail.com
This paper aims to clarify which were the sources that inspired Vuia in the creation of the ethnographic park. For this synthesis we resorted to understanding the phenomena that formed the basis of designing the museums and ethnographic parks, we investigated the notion of social unity and its constituent elements. We
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Sebastian Paic
Muzeul Etnografic al Transilvaniei
paic.sebastian@gmail.com
Netnography deals with ethnographic type of research on internet. Although the history of the field dates back to 1980, when the first networks where created, in the Romanian ethnographic specialized literature there is not yet a proper approach neither in the academic sphere nor at the level of university education.
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Mariana ANDONE-ROTARU
Cluj-Napoca marianapislaru11@gmail.com
The pedagogical programme of the History Museum in Turda, had a great evolution in 2019, by providing 11 interactive workshops to students, in order to improve their talents, extracurricular work and to develop their skills in several domains.
Our ‘Easter egg painting’ programme stands for continuing the tradition by meetings between
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Andrei Flavius PETRUȚ
Brad, Hunedoara
petrut.flavius@yahoo.com
The present text brings into discussion the supernatural beings that still haunt the collective mentality of the inhabitants of the land of Zarand. Ghosts, because it’s them we are talking about, are still part of the stories of the elderly who remember their encounters with them. Unwanted in the village world and blaming them for
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Andrei FLORIAN
Universitatea de Artă și Design Cluj-Napoca
andreiflorian1959@gmail.com
This article is an honest analysis of the personal artistic creation, over more than two decades, as seen by the author and at the same time by the arts teacher; an examination devoid of intermediaries, but also of predominantly presumptive external opinions. The series of arguments on the complexity and on
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Costel CIOANCĂ
Academia Română, Muzeul de Artă Veche Apuseană
kishinn@gmail.com
A fundamental concept of human existence as a species, Time has always been a defining landmark of the depth of thought of homo sapiens. With religious or scientific character, the ensemble of myths, beliefs, ideas, ideologies, representations and significances given to this concept led, …in time, to the birth of a
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